Monday 9 November 2009

The Art Market: Down but not Out

Messages are mixed this autumn on the state of the Art Market; some of us see the glass as half full (especially if there is an umbrella an fruit artfully perched on the rim) and things seem better than in housing and a whole lot more stable than stocks, bonds and futures!

· "The market is down but not out. Volumes and values are down, but there is a renewed confidence and a renewed spirit," Georgina Adam; The Art Newspaper

· After months of trauma that saw auctions shrivel, fairs cancelled and prices nosedive, Zurich- and London-based gallery Hauser & Wirth sold a Louise Bourgeois sculpture at Frieze for EUR 2.4 million (CHF 3.6 million, USD 3.5 million), while New York's David Zwirner earned EUR 680,000 for a Neo Rauch.

· After months of trauma that saw auctions shrivel, fairs cancelled and prices nosedive, Zurich- and London-based gallery Hauser & Wirth sold a Louise Bourgeois sculpture at Frieze for EUR 2.4 million (CHF 3.6 million, USD 3.5 million), while New York's David Zwirner earned EUR 680,000 for a Neo Rauch.

· Street and Graffiti seems to continue its mainstream success; the anniversary of the coming down of the Berlin Wall celebrated two decades’ of creativity recently, and Berlin continues to capitalise on its former communism – how ironic.

· Sotheby’s, the world’s largest publically traded auction house has lauded the end of the recession and the art market lull with sales totalling USD $181-million this past week. Lots at the highest end of the price scale exceeded low estimates at auction this last week, and the auction house’s PR machine has lauded these numbers as sign of market renewal, although these numbers only apply to the highest price art and the highest bidders with the solvent cash to pay for it.

· The vestiges of the Lehman Brothers art collection also pleasantly surprised auctioneers and speculation as many of the lots greatly exceeded high estimates. The Financial Times reports that the first sale of art from the 650-strong collection belonging to Lehman Brothers on Monday in Philadelphia was an outright success. Local auctioneer Freemans knocked down 283 lots (they all sold) for $1.35m, twice pre-sale expectations. The top price was for a Lichtenstein print, “I Love Liberty” (1982), which sold for $49,000. More Lehman art comes under the hammer in December and February next year. Meanwhile, Bonhams and Butterfields sells art from the bankrupt Californian law firm Heller Ehrman this Tuesday in New York, with more to come in San Francisco in February next year. And on December 8 the Italian auction house Finarte is selling about 200 lots of modern Italian art from the Italian carrier Alitalia SpA. The highlight is a vast canvas, “Zeus gave birth to the sun”, by the Futurist Gino Severini, commissioned for Alitalia’s Paris office in 1954 and now estimated at €300,000- €500,000. Other works are in the low thousands, among them Osvaldo Peruzzi’s “Flight above the clouds” (1997) estimated at €2,000-€3,000. (Adam)

· "The market is very much alive ... after a year of abstinence," said auctioneer Tobias Meyer.

Works by Pissarro and Leger also achieved twice their estimated prices, while Salvador Dali's Girafe en Feu reached $1,874,500 (£1,130,000) - a record for a work on paper by the surrealist artist. (British Broadcasting Corporation)



Adam, Georgina. "The art market: ‘When you have the right property ... you get fireworks’." FT; The Financial Times 06 11 2009.

British Broadcasting Corporation. BBC News 5 11 2009.

Expatica.com. Expatica.com - News and information for the International Community. 09 11 2009. 09 11 2009 .

Gunn, Molly. "Art and the Kiss of Life." The National; a Publication of the Abu Dhabi Media Company 08 11 2009.

Hauser & Wirth. Hauser & Wirth. 09 11 2009 .


Friday 6 November 2009

Barbara McGivern (Canada/UAE); Sunset

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.

~Leonardo da Vinci




Jon Barlow Hudson


The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.

~William Faulkner

Wednesday 4 November 2009

ARCH 2010



A sneak peek at what's to come in 2010!

Tuesday 3 November 2009

Image/Art: Cliff Kearns

Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.
~Scott Adams


Sunday 1 November 2009

Barbara McGivern (Canada/UAE); Sublime Fizz

I don’t follow international art auctions with much interest, as I view that world as a kind of high-end racket manipulated by a bunch of corporate players. Works by relatively obscure contemporary artists are often arbitrarily earmarked as value-added investments, like IPOs or stocks. It's contrived, to say the least.

~Charles Pachter

Source: http://www.themarknews.com/articles/636-beauty-is-in-the-eye-of-the-promoter

Saturday 31 October 2009

I'm an enormous fan of Stanley Feldman's work; Here's Why!

Born in Dublin, Ireland, Stanley Feldman graduated from Trinity College, University of Dublin with Bachelors and Masters degrees in Arts. He studied painting and drawing at Ireland’s National College of Art, and under noted Irish and Canadian masters. He is an Associate of the Institute of Professional Designers.

Feldman has traveled extensively throughout the world, and this fact is often reflected in the composition, colour and expression of his highly individualistic work. From striking large-scale abstract and semi-abstract canvases to delicate and evocative watercolours, his refined techniques mirror a highly cerebral approach to art.

Stanley Feldman immigrated to Canada in 1977. His studio overlooks Lake Ontario and his work is wideley collected in Canada abroad.

Tuesday 20 October 2009

Paradise (re)Visited: Why I'm proud to be a corporate patron of the National Gallery of the Cayman Islands

The National Gallery of the Cayman Islands serves to promote and encourage the appreciation and practice of the visual arts, of and in the Cayman Islands.To this end, the National Gallery travels Caymanian art and artists abroad as well as having many fine international artists visit, exhibit and work in the Cayman Islands. For more information and images, be sure to visit their site at www.nationalgallery.org.ky

Monday 5 October 2009

More Useful Hints for Starting or Building an Art Collection

1. You absolutely do not need a vast disposable income to begin or continue collecting art. If you don't believe me, try googling my heroes Herb and Dorothy Vogel!

"Approximately 85 per cent of art sold in Canada at auction sells for less than $5,000," So says Raphaela Dunlap, the Canadian arts specialist with Joyner Waddington's Fine Art Auction House in Toronto. If you dedicate yourself to collecting art from emerging talent, you could get away with spending half that amount on each acquisition.


2. Do your research. Join the collector's circle of your local museum. Ask questions. Get the help of a good consultant-advisor. Ask a friend whose collection or aesthetic you admire for guidance or to accompany you on gallery hops. Visit galleries and museums, take notes and ask to be added to their mailing lists. Visit auction websites and sign up for their newsletters.




3. Have a mission. It helps at the planning stages to formulate and out down in words some sort of goal or mission statement. Don't worry, it will evolve and rewrite itself with the passage of time. Whether you want to concentrate on art of a particular region, a medium, photography, abstracts, or simply find a piece to enhance and improve each room I your home or office, try to ask yourself each time you consider buying something whether and how the potential buy will contribute to the collection as a whole. You don't necessarily have to have a steadfast policy on what and not to buy, but it will help in the long term cohesiveness of your collecting to decide what you want to concentrate on.


4. Visit the graduation shows of graduation exhibitions of local colleges and universities. Go to the openings of local collectives. You don't necessarily need to buy something at every visit, but do keep notes of artists whose work you admire.


5. Buy a piece annually. Most of us spend upwards of $3,000 every year on vacations, so you might put yours off this year in order to buy a piece to kickstart your collecting in the right direction. Consider taking along a second pair of eyes, either to advise you, hold your wallet if you are a spendthrift or play devil's advocate. There doesn't necessarily need to be anything impulsive about your early purchases.


6. Go against the grain. Photography is still an affordable option if you want to collect and stay within your budget. You can find some incredible bargains at Toronto's CONTACT, touted as the largest photography festival in the world.


7. Never, ever, under any circumstances buy what a dealer, gallerist or website tells you is a good investment opportunity. Just look at how many would-be collectors and so-called art investors lost in buying fake and forged works by Picasso, Miro, Dali, Chagall, Erte, Rockwell and others. There really should be only one guideline when it comes to what you buy. If upon seeing something for the first time your heart skips a beat or you think you can't live without seeing it every day, it's a good chance that you are making the right decision. Buy it because you think it will make you happy every time you walk past it and thus enhance your life; not because you think that it will appreciate.

8. Never attempt to negotiate unless you know what you are doing and really want to make a purchase on the spot. You also never want to circumvent a dealer, gallery or consultant as nothing will get you blacklisted faster.


9. Subscribe to a good contemporary art magazine; consult your public or reference library for books on areas that you engage with.


10. Consider collecting against the grain. What this means is that you will get more art for your dollar if you buy what is not currently in vogue, whether it be folk art, quilts or textile art, decorative pieces that aren't fashionable right now, outside art or the work of self taught artists.


11. Don't forget about sculpture, ceramics, pottery and glass art. They play a huge role in enhancing the interior world, especially art glass.


12. Unless you know precisely what you're buying (or have hired someone who does) think twice before buying antiquities, especially Egyptian, Greek and Roman pieces as you may not be the legal owner of the piece, regardless of how much you paid!

13. Enjoy yourself and carry cash!


Below are some contemporary artists who are still relatively affordable, collectible and highly desirable:

Jon Barlow Hudson

Marlene Siff

Anita Ayres

Barbara McGivern

Bendel Hydes

Brian Marion

Bruno Cote

C. Kent

Catto Houghton

Dale Chihuly

David Thai

Drasko Bogdanovic

Edward Burtinsky

Gideon Tomaschoff

Gord Smith

Helen Frankenthaler

James Fowler

James Huctwith

Joanie Gagnon san Chirico

Jules Olitski

Julian Opie

Kent Monkman

Manya Fox

Marie-Danielle Leblanc

Mark Acetelli

Mattia Biagi

Olga Beskoff

Paul Fournier

Richard Roblin

Robin Larson

Simon Jensen

Sonja Hidas

Stanley Feldman

Sue Rusk

Tom Gardner

Wes Hunting

Ye Rin Mok

Ken Monkman



Finally, some useful websites:


www.artcrime.info

www.ago.net

www.artbrokerage.com

www.broadartfoundation.org

www.artnet.com

www.artprice.com

www.shelleylambefineart.com

www.saatchi-gallery.co.uk

www.gallery.ca

www.nationalgallery.org.ky

www.phillipsdepury.com

www.heffel.com

www.viewoncanadianart.com